Wednesday, September 25, 2013

the, the, the...THE GREEK!


Ancient Greece spanned from the 8th to 6th centuries BC to the end of c. 600 AD. Classical Greece is considered the time during the 5th to 4th centuries BC.  After defeating the Persians, Athens dominated Greece. This victory catalyzed the solidification of Greek culture and societal undulation. Classical Greek culture, especially philosophy, had a powerful influence on the Roman Empire, which carried a version of it to many parts of the Mediterranean and Europe, for which reason Classical Greece is generally considered to be the seminal culture which provided the foundation of modern Western culture.


1.) geometric-warriorGeometric Bronze Warrior (8th Century BCE) This bronze statue is one of the nude pieces discovered, which had been rare or completely non-existent in other cultures around the Mediterranean at the time. The nude body expresses the beginnings of a move towards more humanistic art as past human representations had depicted clothing and/or symbolic markings that would represent class or political standing, whereas this man, bare, represents a person merely being a person.

2.) hera-of-samosHera of Samos (560 BCE) The vast majority or sculpture of this time was embedded into the stone it was carved from. This figure of Hera of Samos is "Monumental", meaning it is free-standing and alone, leaving it far more susceptible to damage and destruction.  This piece, however, symbolizes the breaking away from a larger picture, and individual sanding alone.

3.)polykleitos-doryphoros-c450-440-bcePolykleitos, Doryphoros (c. 450-440 BCE) This piece by Polykleitos is a very classical statue; a realistic, proportional man, having all of his weight on one leg and relaxing the other, expressing a play-off between the two. The artist wrote treaties, and wrote a piece about how he created this sculpture using the measure of one of the digits of a finger as the unit of measure for the proportions of the entire body. The accuracy of these proportions, while scientific, created stunningly realistic figures and beautiful art work, which would become associated with humanism and its natural beauty.

4.)3-goddessesThree Goddesses, from the east pediment of the Parthenon (c. 438-32 BCE) This sculpture, unlike Hera, synthesizes individuals into a group, intricately lain upon one another and connected physically. Other than a technical marvel, this statue represents a significant shift in Greek theism, an expression of immortality (Goddesses) in human form.

5.)aphroditePraxiteles, Aphrodite (c. 350 BCE) Praxiteles fabricated the first monumental nude of a female, paying respect to woman, not expressing it sexually. This piece culminates expressions of amazing technicality, as well as humanism and natural beauty.

6.)niobe-chiaramontiNiobi Chiaramonti (3rd Century BCE) Most early Greek sculpture was less advanced with regards to technique, ability, and ideas of how to express the human form. In the midst a progression into a more realistic form exposing the body, this piece of a young woman running expresses character and a sensual beauty that had begun to be explored.

7.)battle-of-alexanderBattle of Alexander (250 BCE) There are very few examples of ancient Greek painting, we mainly see mosaic works. This piece clues us in on a mastery of two-dimensional composition that includes knowledge of proportion, perspective and movement. The latter is exemplified by the form of the horses; we are not looking at a simple silhouette or basic still shape, rather, intricate angles and perspectives.

8.)nike-of-samothrace-c190bce1Nike (Or Winged Victory) of Samothrace (c. 190 BCE) This piece, whose sculptor is unknown, is another great example of movement. The ideology behind this piece is very congruent with typical Ancient Greece connotation; it expresses victory, strength, and tenacity. It is very interesting, too, that the artist chose to sculpt a female figure, expressing the greatness of the Greek culture via a symbol of strong femininity.

9.) aphrodite-alexandros-of-antioch-150-125-bceAlexandros of Antioch, Aphrodite/Venus de Milo (150-125 BCE) Yet another thematic expression of female beauty and the Greek ideal of woman, because this statue is only half nude, it also incorporates a lush decorative accent, perhaps, in fact, stabilizing a changed ideal of femininity.

10.)ulyssesUlysses in the Land of the Laestrygonians (1 BCE) This piece also attests to a move towards more realistic painting as it plays with light and depth, most likely in attempt to make the depicted scene more visually accurate.

 

All in all, whether it be a portrayal of an actual event, a thematic expression piece, or simply a very realistic nude statue, art of this ancient culture clues us in to the relatively vast appropriation of ideals, religion, daily-life, and expresses the development of culture and society in a growing civilization.

 

All sources found at: http://www.stephenhicks.org



Sunday, September 8, 2013

Neo. Nubia; The Emergence of Clear-Cut Differentiated Society

 

By the middle of the 5th millennium BC, Nubia's ancient peoples were full participants in the "agricultural revolution," living a settled lifestyle with domesticated plants and animals. Rock art of cattle and herdsmen suggests the presence of a cattle cult like those found in the Sudan and other parts of Africa today. These people were a source of remarkable influence to Egyptian culture.
Exhibition: Nubia - Ancient Kingdoms of Africa
Nubian queen
Nubian king

Çatalhöyük

A very large Neolithic settlement in southern Anatolia, which existed from approximately 7500 BC to 5700 BC. It is the largest and best-preserved Neolithic site found to date. The present settlement (ruins) are located overlooking the Konya Plain, southeast of the present-day city of Konya in Turkey, the ancient settlement had features of primitive urban society and property layout. It is located fairly close to a volcano, and, oddly, was abandoned before the dawn of the bronze age.

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Neolithic carved bone implements from Catal Huyuk
 
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Ancient Polynesia

A sub-region of Oceana that consisted of thousands of Pacific islands inhabited by peoples in branching groups or tribes with very similar cultural traits. c. 1600-1800 (European modernization)  

http://www.jps.auckland.ac.nz/document/Volume_47_1938/Memoirs/No._15._The_Oldman_collection_of_Polynesian_artifacts,_p_37-46/p1 Decorative drum bases. Detail and intricacy suggests high importance and significance of rituals within groups.
 
 
http://www.jps.auckland.ac.nz/document/Volume_47_1938/Memoirs/No._15._The_Oldman_collection_of_Polynesian_artifacts,_p_37-46/p1 Chief necklaces and other ornaments. Evidence of endowment and blatantly appropriated leadership.
 
 
 
 
http://norfolkislandwildthings.blogspot.com/2011/01/visiting-ships.html Pestles. Signs of varying ways of preparing, manipulating, and consuming food stuffs.
 
 
http://norfolkislandwildthings.blogspot.com/2011/01/visiting-ships.html Crude tools forged from Earth. Early manipulation of available resources.
http://news.nationalgeographic.com/news/bigphotos/72569889.html Found in Hawaii, though bound with leather from hides of animals on other distant Pacific islands. Maritime exchange and interaction.
 
 
http://www.flickr.com/photos/wallyg/4834146778/ Ceremonial dance costumes. We see development of religious PRACTICE that began to accompany what was only belief and inorganic artistic expression.